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That, however, made it an outlier on Good Old Boys , an album flush with Newman’s trademark satire and sarcasm, best exemplified by its notorious opening track, “Rednecks.” For those unfamiliar, “Rednecks” is a song in which Newman assumes the voice of an Alabama steel worker named Johnny Cutler who, after seeing Georgia’s segregationist governor Lester Maddox laughed off The Dick Cavett Show , extols his Southern pride and ignorance as he liberally sprays around the n-word: “We’re rednecks, we’re rednecks,” the chorus goes, “We’re keeping the n*ggers down.” For two brutal verses, Newman parades this boorish southern caricature in front of what would’ve been his well-educated, coastal, liberal audience, before the narrator finally quips, “Down here we’re too ignorant to realize/That the North has set the n*gger free/Yes, he’s free to be put in a cage in Harlem in New York City/He’s free to be put in a cage on the South Side of Chicago, and the West Side…” And it goes on like that, a tour of the segregated and ghettoized North, the music beneath Newman’s voice lurching back for one more stop each time you think he’s done

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